Movie Special Effects for Cinema, TV Drama, Virals & Advertising.
In-camera Physical Effects provide texture, context & spectacle.
Pop to Boom. Tiny glass-cracking squibs, whole building blasts.
Pyrotechnics, high explosives, paint mortars, explosions, strafing sequences, body and blood hits, bullet and squib hits, silent visual explosions.
Crackling campfires, burning battlefields, smoke & flying embers.
Vehicle fires, full and partial body burns, fireballs, sustained fires, all with safety paramount, we’ll often use some CGI (Um, Coal/Grate Interface…)
Rain, rain go away? Often that isn’t what you want to say.
Rainstorm, drizzle, shower, misty atmosphere, torrent, flood, monsoon deluge or shooting in the rain when, alas, it brightens up…
Tiny paper cuts, glass or knife wounds, beatings, bullet hits or explosions, blood as reality or full bore gore.
Our own blood systems, remote firing or actor initiated, pyro, air and hydraulic to spot, trickle, spurt, gush or flood that blood.
Feather flutter, light breeze, gust or gale, we put the wind up.
Turbines, E-Fans, 3-phase 5 foot blade studio machines, VW petrol 6 foot blade trailer machines, Venturi Air Movers, leaf blowers.
Romantic Mist, Foreboding Fog. Anything, at all, just think it.
50+ smoke machines, foggers, hazers, Look Solutions, Concept Engineering, our own high pressure water misters. Describe it, and we’ll Deliver it.
Snow. Ice. Ash. Fallen or falling, there’s just snow many types.
Snowfall, flurries, raging blizzards, ground snow coverage, icicles, frost, frozen rivers, ice effects, falling ash. Budget for clean-up.
Breakaways, action, smash, rubber, weapons and even unbreakable props.
From flaming fingers to exploding elephants, razor wire to rifles, and rubber rocks to rock hard jelly.